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Camera tech data for Sony ILCE-3000
Image: Sony, used by permission
General | |
---|---|
Name | Sony ILCE-3000 , A3000, A3500 (Asia Pacific, Australia, Latin America), ILCE-3500 (Asia Pacific, Australia, Latin America), α3000, α3500 (Asia Pacific, Australia, Latin America) |
Mount type | E-mount |
Supported lenses | E, FE, A-mount (via LA-EAx) |
Release year | 2013 |
Status | discontinued |
Digital parameters | |
Output resolution [pixels] | 5456×3632, 3872×2576, 2736×1824 |
Output resolution (16:9) [pixels] | 5456×3064, 3872×2176, 2736×1536 |
Output resolution (4:3) [pixels] | – |
Output resolution (1:1) [pixels] | – |
Output resolution (panorama) [pixels] | 12416×1856, 5536×2160, 8192×1856, 3872×2160 |
Output resolution (3D panorama) [pixels] | – |
Effective output pixels | 19.8 M |
Sensor type | CMOS, Bayer pattern, 12-bit ADC |
Sensor size [mm] (crop factor) | 23.2×15.4 (1.5×) |
ISO range | auto (100–3200), 100–16000 (1/1 stops) |
Color and post-processing | |
Color spaces | sRGB, Adobe RGB |
Image parameters | contrast, saturation, sharpness (-3 – +3) |
Creative styles | standard, vivid, portrait, landscape, sunset, B/W |
Creative look | – |
Picture effects | high-key, high contrast monochrome, pop color, posterization (color; B/W), partial color (red; yellow; blue; green), toy camera, retro photo, soft focus, HDR painting, rich-tone monochrome, miniature |
Picture parameters | – |
Gamma settings | – |
Picture profiles | – |
Soft skin effect | 3 levels |
White balance | auto, daylight, shade, cloudy, tungsten, fluorescent, flash, direct entry, custom (1 register) |
Color temperature range [K] | 2500–9900 |
Color temperature increments [K] | 100 |
Color compensation index [steps] | ± 7 (A/B), ± 7 (G/M) |
White-balance bracketing [pictures per shot] (steps [mired]) | – |
Noise reduction | long exp. (>1s), high-ISO (2 levels) |
D-range optimizer | advanced auto, manual (5 levels) |
DRO bracketing [pictures per shot] (levels) | – |
Auto HDR | auto, manual (1–6 EV) |
Lens compensation | vignetting, chromatic aberration, distortion |
Movie recording | |
Movie resolutions [size/fps] | 1920×1080p25, 1920×1080i50, 1440×1080p25, 640×480p25 |
Movie ISO range | 100–3200 |
Shutter speed (movie) [s] | 1/4 – 1/4000 |
Movie formats | AVCHD 2.0, MPEG-4 |
Audio formats | Dolby Digital AC3, MPEG4 AAC-LC |
Movie length | 29 minutes |
Microphone | built-in (stereo), Multi Interface (stereo) |
Audio monitoring | – |
Movie features | picture effects, creative styles |
Auto-focus | |
AF sensors | 25 areas |
AF range [EV] | 0 – 20 |
AF modes | AF-S, AF-C, DMF, Tracking AF |
AF assist light | yes |
AF adjustment [no. of lenses] | 30 |
AF bracketing [step width] ([number of shots]) | - (-) |
Features | |
Eye-start | no |
Sensor-based image stabilisation | no |
Remote control via USB/WiFi | no |
Other features | intelligent preview, MF peaking, on-screen help, Anti-Dust, face recognition, auto object framing, smile shutter, sweep panorama, speaker, smart teleconverter, USB charging |
Metering | |
Metering modes | 1200 segments, center-weighted, spot |
Metering range [EV] (with spot) | 0 – 20 (0 – 20) |
Auto Exposure Lock button | no |
Exposure modes | iAuto, iAuto+, P, A, S, M |
Subject programs | portrait, landscape, closeup, sport, night view, hand-held night shot, sunset, anti motion blur |
Exposure compensation [stops] (steps [stops]) | ± 3 (1/3) |
Zebra | no |
Flash | |
Flash shoe type | Multi Interface |
Accessory shoe cap | FA-SHC1M |
Flash modes | normal, red-eye reduction, rear sync, slow sync |
Flash metering | Pre-Flash TTL |
Requires D flash unit | yes |
Flash guide number [m]/ coverage [mm] | 4/24 |
X-Sync speed [s] | 1/160 |
High Speed Sync | yes |
Wireless flash | no |
Wireless x-sync speed [s] | – |
Wireless HSS | no |
Ratio flash control | no |
Flash exposure compensation [stops] (steps [stops]) | ± 2 (1/3) |
Studio flash socket | no |
Flash Exposure Level lock | no |
Flash Control from body | no |
Viewfinder | |
Viewfinder type | electronic |
Viewfinder resolution [pixels] | 800×600 |
Viewfinder coverage | 100% |
Viewfinder magnification | 0.70× |
Eye relief [mm]/ from frame [mm] | 21.0/15.0 |
Diopter adjustment [diopters] | -4.0 – +3.5 |
Eyepiece cup | – |
Viewfinder accessory compatible | no |
Live View | main sensor |
Live View zoom | 1×, 6.8×, 13.6× |
Display | |
Display technology, size [mm/inches], resolution [dots] | TFT, 3″, 230400 |
Display mount | fixed |
Histogram display | luminance, RGB |
Automatic brightness | no |
Touch screen | no |
Video output interfaces | – |
Display accessories (opt.) | screen protector PCK-LM1EA, screen protector PCK-LS1EM |
Shooting | |
Frame rate [fps] | 3.5, 2.5 |
Frame rate with AF [fps] | 2.5 |
Shutter speed (still) [s] | 30 – 1/4000, B |
Shutter type | elec. f. c. |
Self-timer [s] | 10, 2 |
Continuous self-timer [shots] | 3 |
Bracketing frames (stops) | 3 (1/3, 2/3, 1, 2) |
Remote release socket | Multi Terminal |
Wireless remote release | – |
Release priority | no |
Depth of field preview | no |
Aperture can be changed during depth of field preview | no |
Silent depth of field preview | no |
Storage | |
Storage media (number of slots) | Memory Stick PRO Duo, PRO-HG Duo, SD, SDHC, SDXC (1) |
Remote storage via USB | no |
Remote storage via FTP | no |
File system formats | FAT12, FAT16, FAT32, exFAT |
File formats | ARW 2.3, JPEG w/ EXIF 2.3 |
Power | |
Batteries | 1× NP-FW50 |
Vertical grip | – |
External power supply | AC adaptor AC-PW20 |
Construction and accessories | |
Weather sealing | no |
Mount material | steel |
Weight [g] | 353 |
Standard accessories | strap, USB cable, battery NP-FW50, charger AC-UB10, software |
Other optional accessories | lens adapters LA-EAx, microphone ECM-XYST1M |
Misc | |
Other interfaces | USB 2.0 (High Speed; Micro-B; Multi Terminal) |
USB modes | mass storage, MTP |
Printing | Exif Print, Print Image Matching Ⅲ |
Latest firmware version (release date) | 1.00 |
Comments | – |
Reviews & links | Barrie Smith on Digital Photography School (full review), Chris Thomas on Reviewed.com (full review), Cliff Smith on What Digital Camera (full review), David Kilpatrick (full review), Jim Fisher on PCmag (full review), Joshua Waller on ePHOTOzine (full review), Ken McMahon on Camera Labs (full review), Kevin Lee on The Phoblographer (full review), Mark Goldstein on Photography Blog (full review), Mike Tomkins on Imaging Resource (full review), Photo Review Australia (full review) |
Related cameras | – |
Kits |
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© 2019 Michael Hohner